Showing posts with label illustration. Show all posts
Showing posts with label illustration. Show all posts

Sunday, May 19, 2019

Kennywood's Open! Or, Is That a Picnic, or Are You Just Happy to See Me?

Here are some graphics I created for two freelance jobs. The first is a superhero illustration accompanying the profile of Dr. Elizabeth Winzeler, noted researcher into pediatric drug discovery, for a pharmacological publication. Second is a promotional campaign for Kenny Entertainment featuring the Picnic Pros, a group of superheroes who sold companies on outdoor festivities in the fabled amusement park.

Illustration for a profile on a scientist-researcher.

Picnic Pros for Kennywood.
I will add more graphics as they become available.
Read the Ms. Megaton Maxi-Series YA prose novel every week!
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All characters, character names, likenesses, words and pictures are ™ and © Don Simpson 2019, all rights reserved (unless otherwise noted). 

Curette Crusader: Promoting Hygienic Surgery!

Here is art I created for a promotional campaign for Curette Blades, a manufacturer of precise surgical instruments. The mailers featured old-style Sunday newspaper comic strips featuring Zorro-like sword characters  with gender parity and was aimed at doctors, surgeons, and hospitals.





















Read the Ms. Megaton Maxi-Series YA prose novel every week!
__________
All characters, character names, likenesses, words and pictures are ™ and © Don Simpson 2019, all rights reserved (unless otherwise noted). 

Tuesday, July 17, 2018

Simpson Sampler IV: Spidey in the Crosshairs!

Below are the four pages of a sample I created in 2002 of Spider-Man. This particular round of samples, created in an attempt to land freelance work from Marvel, had the distinction of being personally rejected by Axel Alonso, then editor of a Spider-Man anthology that utilized alternative creators like Peter Bagge. And when I say personally rejected, I mean I made my one and only visit to New York and the Marvel offices in order to have five minutes of his valuable time, in which he told me my work was a curious hybrid of John Romita and Jack Davis (one of the more astute remarks I've ever gotten from a mainstream editor, as it so happens). But it garnered no freelance work.

Colorized panel from page 4.

Higher-res scans courtesy of George Hagenauer, who has these pages for sale!

[Interspersed is my original plot, from the original text document.]

"Four Letter Word"

J. Jonah Jameson, at his desk in his office at the Bugle, trying to figure out the paper's crossword puzzle.

17 Across: To tug, suddenly

Jonah goes through various expressions of frustration, exasperation, befuddlement, etc.

Looks through crossword dictionary, throughs it into wastepaper basket in anger.

Robbie Robertson sticks his head into the office, concerned at loud noise.

Jonah asks Robbie.  Robbie shrugs.



Jonah goes to door of office, holding folded paper and pencil, quizzes his perky receptionist.  She doesn't know the answer.

Jonah asks the even quirkier punkette intern making photocopies, a flat-chested, tattooed, gum-chewing brat.  She doesn't have a clue either.  She give Jonah the finger once his back is turned, as he storms back into his office.

Close up of puzzle - answer in tomorrow's Bugle.  Jonah gets an idea - smiles!



Calls down to puzzle/features department.  The stern librarian-looking editor scolds him, wagging her finger.  She can't divulge the answers!

Jonah pulling his hair out.  Paper nearly in shreads.  About to give up.  Jonah, resignedly, looks forlornly at the paper.  Doesn't see behind him, out window, as Spidey swings up.



Spidey, taking a perch upside down outside the window, below the sill, looks in curiously at Jonah.

Jonah, gesturing with his hands, eyes closed, says something out loud.

Spidey, hands to his mouth, yells something at Jonah.

Eureka!  Jonah has the answer at last!  Pencils in the word 'jerk'.

Jonah beams.  Then his face falls into a not-amused frown.

As Spidey swings away chuckling to himself, Jonah shouts and waves fist at him angrily leaning out of the open window.



Anyway, the thumbnails and final versions tell a little story of J. Jonah Jameson struggling to complete his own paper's crossword puzzle, calling the puzzle's editor for some extra clues (she scolds him for trying to cheat), and finally Spider-Man dropping by, uttering the only dialogue in the sequence, and inadvertently solving the puzzle. I thought it was kind of clever.

As I've mentioned elsewhere, it is a bit astonishing to me as I look back on these samples to see the level of mastery and craft one could attain and still get no response from the major publishers. This, coupled with what I considered the dreadful level of craft manifest in the books since the 1970s ... but then, I'm sorta biased. Some would say it is simply a changing of style; as I've written elsewhere, I think the cognitive skill of drawing has all but vanished from our civilization.

Keep those submissions coming! Failed Pitch One | Two | Three | Inferior Five!
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Read my YA prose experiment, the Ms. Megaton Man Maxi-Series - new chapter every Friday!

Sunday, June 24, 2018

Simpson Sampler III: Webs, Rocks, and Roughs!

More petulant postings in the resentful retro manner! Some past samples I worked up to obtain freelance work from the big boys around 2002. The Web vs. The Rock was never submitted, but was a fun idea to work on.

Colorized Web Man!

The first page (incomplete), as Web Man lands to confront Rock Man!

A second shot at the same idea, with more background.

Rock Man shatters, but reassembles! Wallopin' Web-Snappers!

A sheet of sketchbook scribbles as I worked out these ideas in rough form.

A second sketchbook page of Webby and Rocky!

We'll end this post with a figure I drew as an inking demo for my Carnegie Museum of Art Cartoonist's Sketchbook workshop circa 2007!

Simpson Sampler I Updated with rough sketches! | Simpson Sampler II updated with rough sketches!

Saturday, June 23, 2018

Simpson Sampler II: More Exiled Rejects!

Here is another set of samples I created (pencil and ink on Bristol board, from my own plot idea) and pitched to a big NY company, around 2002. I actually paid a visit to the offices, having an inside contact, and got five minutes with the editor. I will never forget this jackass and his sneer as he looked over my work. To much like Wally Wood, Joe Sinnott, and John Veerpoorten for the new millennium! What a jackass. Enjoy!








Sketchbook roughs of pages 1 and 5.

Sketchbook roughs of pages 6 and 2.

Sketchbook roughs of pages 4 and 3.


Excelsior!

Simpson Sampler I: Golden-Age Meltdown! | Simpson Sampler III: Web-Rocks!

Simpson Sampler I: Retro Rejects Circa Y2K!

Just to show young aspiring cartoonist the level of mastery one can achieve and still be completely ignored by major publishers, I offer this 5-page story sampler I created for an outfit in New York, and submitted around the year 2000. (In fairness, at other times I did create a handful of pages of art for them). The plot is my own, as are the pencils and inks; note that melting your boy sidekick out of a block of ice - an idea later exploited in a major movie franchise - was my own original idea ...


The team has a surprise for the old World War II veteran!

The Veteran recalls losing his boy sidekick, who perished while trying to defuse a buzz bomb!

Surprise! The boy sidekick, like the Veteran years before, was frozen in a block of ice! Suspended animation!

The android lets his tool go limp, and electrify the puddle of melt runoff!

The android reverts to his golden age form - and combusts!

On the other hand, now that I look at the panel I quickly colored above, perhaps one reason no editor at the House of Ideas would hire me was the hugely phallic device the android uses to both melt the block of ice and accidentally reactivate his  own golden age self - but this is purely speculation.

Speaking of team books, below is an ink sample over a long-running penciler, who was kind enough to provide with photocopies of his penciled pages. Presumably it was too much like Sinnott, Wood, and Veerporten to result in any work in the early 2000s

While I appreciated the penciler giving me a shot to work over actual layouts, I would have gone nuts as an inker. I did several pages in a row from this issue, and found the layouts to be incredibly pedestrian, the body language stiff, and the storytelling slow as molasses. I prefer doing (at least) the entire art job myself, and the story and lettering as well whenever possible. Being such a stickler has limited my opportunities!


Original pencil layout (photocopy), which I lightboxed (traced) onto Bristol board, then inked with crowquill, brush, and India ink.

Years later, I sold the samples (which I had light-tabled onto Bristol board) to a fan, and the penciler contacted me and accused me of forgery, apparently having forgotten ever meeting me. I had to remind him that he was the source of the photocopies that I worked from. He never apologized and I never heard from him again. 'Nuff said!

Simpson Sampler II: Exilic Exodus! | Simpson Sampler III: Web-Rocks!