This time out, it's another Marvel sample I submitted circa 2002 to see if I could land some mainstream superhero work. Although highly regarded in some circles for my parody, science fiction, and even smutty underground work, I never broke into the mainstream or "straight" superhero ranks, where all the money in comics was to be found. Instead, I remained on the periphery with goofier or offbeat assignments like DC's Wasteland, Marvel's Open Space, or oddball Flash stories. (I did have my chances, early on: Mike Gold wanted me to ink First Comics' Whisper, and Dan Mishkin and Gary Cohn wanted me on Blue Devil after Parris Cullens' departure, but the timing wasn't right in either case).
These samples are unusual in that they are pencil only; I usual went after jobs as both penciler and inker, and with the Exiles. Also, I followed a garden-variety plot posted online at the time involving Spider-Man and a villain I never heard of: Mr. Hyde. I never heard of the villain and it never occurred to me to look him up online, so I designed my own villain. That's probably only one of many reasons the submission got me no work. But it is a better example of tight pencils than a Dr. Fate sample I made some years earlier.
As with most of my samples from this era, and judging from them, it's no loss to the world of art and letters that they didn't yield me the assignment desired, or any assignment. (Usually, the work from Marvel, DC, Mirage Studios, Image Comics, and even Fantagraphics resulted from them asking me, not the other way around). But I'd like to think if I had gotten past the gatekeepers and actually drawn a strip like Spider-Man, I would have done a pretty good job on the real thing. For whatever reason, hypothetical samples never brought out the best in me.
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Read my YA prose experiment: The Ms. Megaton Man Maxi-Series! New chapter every Friday!
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